「真美大観/俵屋宗逹筆風雷二神圖」の版間の差分

'''[[w:en:Tawaraya Sōtatsu|Tawara-ya Sô-tatsu]]''' born of the family, Nono-mura, was otherwise known by the names of I-nen or Tai-sei-ken. He was a native of Noto province and, while living in Kana-zawa, Kaga province, learned painting from [[w:en:Kanō Eitoku|Kanô Ei-toku]] (1543-1590). Afterwards he invented his own style by combining various points of excellence of all the schools. The dates of his birth and death are not certain. His style bears a resemblance to that of [[w:en:Honami Kōetsu|Hon-ami Kô-yetsu]] (1558-1637 A.D.), especially in colouring which in both is thick and rich. [[w:en:Ogata Kōrin|O-gata Kô-rin]] (1661-1716) a famous artist of ''Maki-ye'' (pictures drawn with gold or silver upon lacqer ware), taking as model the paintings of Sô-tatsu, originated a new school of painting on lacquer. The pictures of the two gods by Kô-rin drawn in imitation of the pictures given here are in the private collection of a certain Japanese nobleman. Connoisseurs say that the copy is superior to the original in beauty, but far inferior in tone and spirit. Indeed Sô-tatsu is unrivalled in his own branch of art, and will stand forever as leader of one of the most famous schools.

 

 

== 底本 ==

*田島志一編　『真美大観　第二册』　日本佛教眞美協會、1899年。