「真美大観/狩野永徳筆琴棋及花鳥圖」の版間の差分
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『真美大観 第一册』から『狩野永徳筆琴棋及花鳥圖』（図版なし） |
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#A huge plum-tree and water fowls, on four screens. (5 ft. 9 in. x 18 ft. 6 in.).
'''[[w:en:Kanō Eitoku|Kanô Ei-toku]]''' (1543-1590 A.D.) the eldest son of Kanô Shô-yei, studied the art of painting under [[w:en:Kanō Motonobu|Kanô Moto-nobu]], his grandfather, who is founder of the [[w:en:Kanō school|Kanô school]]. At first he was an attendant of [[w:en:Oda Nobunaga|Oda Nobu-naga]], but after the death of the latter he served [[w:en:Toyotomi Hideyoshi|Toyo-tomi Hide-yoshi (Taikô)]] for whom he executed the grand wall-painting of his private residence [[w:en:Jurakudai|Shuraku-dai]] in Kyôto and those of [[w:en:Osaka Castle|the castle of Osaka]].
His style is generally bold and rough, but not wanting in regularity and refinement. However, some of his painting are not bold and rough in their style, for instance, the present pictures on screens are finished in a full exactness and perfect dexterity; well presenting the in furnishing large and rough pictures for the decoration of residence of lords and nobles of his time, and no time was left him to produce many minute paintings as we have here in our Fusuma. It was sometimes erroneously supposed that he was not skilled in minute paintings, and it is with the view to correct this error that we have here produced these fine specimens of his productions.
== 底本 ==
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